When we had the International Society of Scratchboard Artists (ISSA) workshops in Sebastopol, California, in July I worked on the following piece.

Here is the finished piece titled “Grazing”

I promised I’d put up a few photos up of the International Society of Scratchboard Artists‘ 2012 exhibition in Glen Ellen, Ca. and also some of the workshops we held in Sebastopol.
This is me with my zebra piece “Lifeblood of Etosha”. This piece won “People’s Choice” and is now winging its way to its new owners in Florida.

In the same photo you can see a piece by Lorna Hannett of a Himba maiden and another of hers of buttons and lace. My little kangaroo is there and also Cathy Sheeter’s “Moment of Reflection” (the dog’s eyes). If you click this ISSA link you will be able to see all the pieces that were in the show.

My family also enjoyed the show and get-togethers and here my two sons are loving Master Scratchboard Artist Rod-Man and his magic show

Due to my work with chimpanzees in the past, and the belief by some of my fellow artists that I look like one, Cathy Sheeter bought me this shirt and here I am trying to look like the handsome fellow on the front of the shirt. He’s definitely better looking!

To the workshops and demonstrations, I’ll start with mine. I showed how I do my unusual skin techniques and also the way I’ve been creating zebras by using the airbrush and the fibreglass brush.

I’m really not sure what’s going on here

We only had just over and hour each so I’ll finish this piece later and show you all what it turns out like.

Lorna Hannett showed us how she creates skin in her meticulous way. She can put up to 300 hours into a small piece, something that simply boggles my mind. I love her work!

Diana Lee using tattoo needles to achieve incredibly smooth textures to create a light bulb.

I had the honour of being shown through Diana’s home and managed to get a few snaps of some of her amazing work. Here are a couple of those

Heather Lara taught us about her colour techniques.

She sure produces amazing work

Allan “Ace” Adams, the character among the group, showed us how he creates bark and rocks

Here he is living that brilliant Crocodile Dundee line “That’s not a knife, this is a knife!!” Allan did that for my Australian benefit.

Ann Ranlett creates some very unusual backgrounds and we all wanted to know how she does them. Here she is at work and with one of her gorgeous pieces (the dog with the bone) in the exhibition

Cathy Sheeter is someone who I’ve admired for years now and she taught us some of her fur and eye techniques

The medium of Scratchboard can produce amazing detail and so many of us invest hours and hours in our work. As such, the demonstrators all started pieces before the workshops that we could continue with so viewers could get an idea of what we were doing by seeing what we had already done.

All of us except for the next bloke. Rod-Man is an amazing artist. Well, he’s an amazing person. I’ve already mentioned his magic tricks which had me bamboozled and in stitches. Among other things he’s a diver, a veteran of 1,700 parachute jumps and a tattoo artist, and he created a work of art, from scratch (pun intended), right before our eyes. In one and a half hours he went from white board to almost completed masterpiece.

His initial concept was based on the fact that we were near San Francisco with its hilly streets, so he envisioned a skateboarder zooming down the road.

Concept sketch

Then he realised that most of his audience were definitely not skateboard age so he went with a wheelchair bound crazy guy doing the same thing (with a peg leg)

Concept sketch

And then he started. Airbrush, scratch, airbrush, scratch, etc  until he achieved what he wanted.

He finished it a day or two later. Absolutely amazing.

Do you reckon we learnt anything? You betcha we did!! And had a blast into the bargain!

I’ve just returned from my trip to the States and England and before I follow through on my promise to update you all with photos from the scratchboard exhibition in Glen Ellen I thought I’d add a couple of new pieces. At the exhibition we had two days of workshops in Sebastopol and I started the following pieces which I finished in England. The first is of a chimp’s eye and the second is of a girl I saw in Botswana. I thought this girl, while not classically beautiful, had such a striking face which I wanted to portray.

I haven’t had chance to update the blog in a while simply because I am travelling with my family in the US. We’ve done the touristy stuff in Los Angeles, Grand Canyon, Las Vegas and San Francisco, and now we are in Bodega Bay where we’ve been based while the International Society of Scratchboard Artists show has been on.

I had the massive pleasure of being one of the judges of the open category of the show so I got to see everything before the official opening. Well!!! The gallery is a delightful place (ARTHouse Gallery in Glen Ellen, about 80 minutes north of San Francisco in the gorgeous Sonoma Valley). It’s a lovely gallery and well run by Pamela Wallace and she did a great job hanging the show. However, the quality of art literally belongs in the greatest galleries in the land. These artists are spectacular and it was a massive treat to see the works.

Then last Saturday the official opening saw about 25 artists fly in from all over the US with our president also coming from Canada and myself breaking the distance record by flying in from Australia. I have to admit, the ticket was worth it after five minutes of meeting these artists. I knew some from interaction on art forums and others from Skype, especially my fellow board members, but this was the first time I had met them face to face and it was the biggest thrill!! Some of these people have been my heroes for years and I found that not only are they just as good artists in person, they are the nicest bunch of people you could imagine. I got given boards, tools, books, T-shirts, dinner paid for etc etc. it has been fabulous.

After the exhibition we had two days of workshops where artists did demonstrations of their techniques and styles. Rodman, Master Scratchboard Artist did an airbrush demonstration and literally created a masterpiece before our eyes in about an hour, totally from his imagination. I promise to show you all what he did when I can get to a real computer.

Then Lorna Hannett, our president and also Master Scratchboard Artist, completed about one square inch in a similar amount of time. Lorna is an example of supreme patience and creates the most magnificent art with meticulous craftsmanship. She does things with scratchboard art that should not be humanly possible.

Next up was Signature Scratchboard Artist Allan Ace Adams. I’ve admired Allan’s work ever since he started using this medium and he’s a classy and funny character but I was unprepared for how nervous he was. He taught us how to render bark and ground whilst shaking like a leaf. And guess what, his work was brilliant. What a highlight to see what such an artist can do!

Heather Lara taught us how to use colour and that was a real eye opener because she uses it so well.

The second day saw the queen of scratchboard art and another master of our medium, Diana Lee show us how to create shiny stuff. Her demo was a lightbulb and it was amazing how she created the right textures with what looked like simple techniques. I tried to emulate her and failed miserably despite the great teaching.

I was up next doing my squiggles, stipples and another zebra followed by Ann Ranlett, Signature Scratchboard Artist teaching us how she does beautiful backgrounds with unusual techniques.

Finally our exhibition director, MSA and all round good egg Cathy Sheeter taught us about eyes, fur and marketing. This was brilliant and fitting that she finished because she did so much work on the exhibition. In fact, a huge thank you to all my fellow board members for putting together an amazing event while I enjoyed the sun in Australia.

Final mention of congratulations to the winners of the master category (Lorna Hannett gold, Rodman silver and Cathy Sheeter award of excellence) and the winners of the open category (Jonathan Webb gold, Harold Farley silver, Hector Fernandez bronze and awards of excellence to Lorelle Bacon, Tim Roberts and Matthew Jarrett)

Like I said earlier, I promise to put images up later to show you just what these people can do.

Oh, we also made sales!!

This weekend has been incredible and I’ve met old friends, made new friends, met great spouses of artists and had an absolute ball!!!

Roll on Vancouver next year! I’d better earn some money.

My most recent pieces have been a bit of fun. I’ve worked from my own photos, one of a kangaroo that was very inquisitive and the other, a vervet monkey that had clearly not had enough sleep. I really tried to create nice soft fur on the vervet, prompting friends to say it looks like it should be called a ‘velvet’ monkey. I’m happy with that!

I think I’m a lucky guy having lived where you see plenty of both of these animals. The kangaroo is obviously an iconic Australian animal and the vervet is such a cheeky – well, er, monkey! We had one literally destroy our food stash in False Bay Park in Kwa-Zulu Natal in South Africa. We were glad St Lucia was just down the road where we could stock up on groceries again!

Despite looks, these two boards were created in opposite fashion. The kangaroo was done on a scratchboard, which is coated in black ink and you remove the ink with a variety of scratching tools to create the image, kind of like drawing in reverse, whereas the monkey was done on clayboard (which is white) by spraying diluted Indian Ink and then scratching back to create the image, and repeating this process as often as needed to get the desired effect. I’ve predominantly used a fibreglass brush for both pieces.